Part VII — Reference
Chapter 22: Timeline
This timeline consolidates dated and approximately-dated milestones referenced throughout the book. Where sources describe an approximate era rather than an exact year, this is noted.
| Period | Milestone |
|---|---|
| c. 6th–12th century CE (Chalukya period) | Traditionally cited origin period for Kasuti's development, with some sources placing early emergence around the 7th century in the Dharwad region; the connection is inferential, tied to the influence of temple architecture and courtly art on embroidered motifs. |
| c. 15th century | Some sources cite literary references suggestive of embroidered sari adornment in the region from this period, though these are secondary citations rather than primary texts examined in this book. |
| 17th century (Mysore Kingdom) | Kasuti formalised as one of the traditional "64 arts" expected of women in the Mysore royal court. |
| 19th–20th century | Continued domestic practice across north Karnataka and neighbouring Maharashtra towns (Dharwad, Belgaum, Bijapur, Hubballi, Miraj, Sangli, Jamkhandi); Kasuti remains closely tied to bridal (Chandrakali) and childbirth traditions; at this stage sources describe it as primarily a domestic handicraft rather than a formal cottage industry. |
| 20th century (mid-to-late) | Documented decline as industrial textiles and machine embroidery become widespread and cheaper alternatives; a Hubli training centre established under the Department of Social Welfare to protect and spread the craft. |
| 2005 / 2006 | Geographical Indication (GI) registration process: application approved in 2005; certificate formally issued 30 January 2006, held by the Karnataka (State) Handicrafts Development Corporation. |
| 2010 onward | Documented grassroots revival initiatives, including the Kaikrafts programme working with the IDF SHG Foundation to train and employ women artisans. |
| 2010s–2020s | Increased visibility through contemporary fashion (including designer Gaurang Shah's collections), dedicated craft-heritage exhibitions such as "Pampa: Textiles of Karnataka," community-diversification initiatives such as Banjara Kasuti, growth of online marketplaces and virtual workshops, and applied research into jacquard/woven Kasuti-inspired motifs. |
| February 2023 | A saree reported to carry Kasuti-style embroidery received wide media coverage after being worn at a Union Budget presentation — cited by craft commentators as a notable moment of mainstream visibility (see Chapter 17 for sourcing caveats). |